Unfurl: A Work in Two Parts
Part I: Performance Installation
Red Lodge Museum, Bristol
3rd September 2011
Rogelio Vallejo (performer) and Zoe Childerley (photography)
A Tudor Lodge, the opulent setting for a tableau poised to unfurl. Pleats of delicate cloth, lengths of red ribbon, a model posing for his painter. As the piece unfolds, the artist’s material transforms the scene in our midst.
“Extremely compelling piece – beautifully choreographed!” (Audience comment).

Unfurl, Red Lodge Museum – site-specific performance installation – door structure fabricated by Plenderleith & Scantlebury – photo: Zoe Childerley
Click here to view an extract of video documentation.
Part II: Exhibition and Talks Programme
University of Bristol Theatre Collection, Park Row
September-November 2011
The Unfurl project was framed by my research into depictions of the Fold in paintings, historical interiors and in critical texts. This research was furthered during my inaugural Artist in Residence with the University of Bristol Theatre Collection. Through the production of objects, garments and writing I explored site specificity, processes of display, concealment and transformation.
An essay by researcher, Kate Holmes, reflecting on the residency project is available here on the Theatre Bristol website

‘Unfurl for Sarah Bernhardt’ – sculpture (print, wire, wood) – inspired by a costume piece in the Mander and Mitchenson Collection, University of Bristol Theatre Collection